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Posted inEditor's Pick
Corner Club Cathedral Cocoon
“Against my better judgment, I found myself becoming an outlet for the resentments and niche preoccupations of the people who make speakers.”
Posted inTop 5
The Top 5 Longreads of the Week
This week we are sharing stories on gun violence, Silicon Valley in the ’90s, the ability of artificial intelligence, and the community of audiophiles.
Posted inNonfiction, Quotes
Brian Eno and the Power of Negative Ambition
Though Eno drew and painted at both Ipswich and Winchester, he left school with no plans to become a fine artist. “I thought that art schools should just be places where you thought about creative behavior, whereas they thought an art school was a place where you made painters,” he said later. “I think negative […]
Posted inUncategorized
Longreads Member Exclusive: Let's Dance, by Sasha Frere-Jones
For this week’s Longreads Member pick, we’re thrilled to share “Let’s Dance,” Sasha Frere-Jones‘s 2010 New Yorker profile of LCD Soundsystem’s James Murphy. Frere-Jones writes: “When you begin writing a profile, your first worry is access. Does the subject talk in soundbites? Will he or she let you see anything that hasn’t been rehearsed? (‘Accidental’ meetings […]
Posted inUncategorized
Longreads Guest Pick: Todd Olmstead on 'Random Access Denied'
Todd Olmstead is Mashable’s Associate Community Manager and an occasional music writer. He lives in Brooklyn. My favorite longread this week is ‘Random Access Denied,’ by Sasha-Frere Jones in the New Yorker. It takes you through the mind of the reviewer, writing about a big-deal album, and peels back the curtain a bit. Who wouldn’t […]
Posted inEditor's Pick
Longreads Member Exclusive: Let’s Dance
For this week’s Longreads Member pick, we’re thrilled to share “Let’s Dance,” Sasha Frere-Jones‘s 2010 New Yorker profile of LCD Soundsystem’s James Murphy. Frere-Jones writes: “When you begin writing a profile, your first worry is access. Does the subject talk in soundbites? Will he or she let you see anything that hasn’t been rehearsed? (‘Accidental’ […]
